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    • coastal series (norway)
    • coastal series (south shore long island)
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    • bodies series
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    • conceptual-based photographs 2003-2016
    • artist books 1997, 2001
    • paintings 1983–1993
    • videos 1979–1989
    • performances + installations 1975–1994
    • photographs 1974–1979
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Julie Harrison

  • work
    • coastal series (iceland)
    • coastal series (norway)
    • coastal series (south shore long island)
    • coastal series (long island sound)
    • landform series
    • blood series
    • brains series
    • bodies series
  • about
    • statement about work
    • bio + cv
  • news
  • archive
    • conceptual-based photographs 2003-2016
    • artist books 1997, 2001
    • paintings 1983–1993
    • videos 1979–1989
    • performances + installations 1975–1994
    • photographs 1974–1979
  • contact

Julie Harrison is a visual artist based in the Hudson Valley and New York City who has moved between drawing, video, photography, painting, and performance.

Thank you!

Installation: Blood Series in “Echoes of Voynich: Coded Systems in Contemporary Art” at Wonzimer Gallery, Los Angeles.

"Echoes of Voynich" Group Exhibition at Wonzimer Gallery

September 13, 2024

“Echoes of Voynich: Coded Systems in Contemporary Art” curated by Marcie Begleiter

Wonzimer Gallery / 341-B S Avenue 17 / Los Angeles, California
September 13 – October 18, 2024

Exhibiting Artists: Marcie Begleiter, Timothy C. Ely, Julie Harrison, Christina McPhee, Blue McRight, Snezana Saraswati Petrovic, Fran Siegel, Linnea Spransy

“Echoes of Voynich: Coded Systems in Contemporary Art” was a group show inspired by the heretical Voynich Manuscript. This extraordinary 15th-century herbarium delves into medieval ideas of natural science. It presents a closely observed world using intricate drawings imbued with imagined spirits and anthropomorphized powers, alongside elaborately coded text that has never been deciphered.

In a similar spirit, these eight contemporary artists push back on established orders of classification offering worlds of subjective structures, where closely observed nature is conflated or indistinguishable from highly personal systems. Through painting, drawing, photography, artist books and installation work, “Echoes of Voynich” offers a multi-faceted view of artworks making connections and dissolving boundaries between Flora, Fauna and (Un)earthly Matter.

The exhibit was part of the Getty Institute’s Pacific Standard Time (PST) series, this year focusing on the theme of “Art + Science: Collide.” The accompanying catalogue features an essay by the renown artist and scholar Johanna Drucker focusing on the Voynich Manuscript’s enduring fascination for artists, cryptographers, medievalists and anyone who enjoys a literary and artistic mystery.

Installation: Bodies Series in “Echoes of Voynich: Coded Systems in Contemporary Art” at Wonzimer Gallery, Los Angeles.


Installation: Bodies Series in “Echoes of Voynich: Coded Systems in Contemporary Art” at Wonzimer Gallery, Los Angeles.

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